Amer is a taut, three-part thriller from Belgium heralding the visually-captivating directorial debut of Helene Cattet and Bruno Forzani. Difficult to pigeonhole, except perhaps as an homage to Italian horror flicks from the Seventies, this endlessly-imaginative, escapist adventure presents a surreal exploration of sensuality from the perspective of the same female at three stages in her life. The stories unfold in chronological order, with protagonist Ana played by Cassandra Forêt as a child, Charlotte Eugène-Guibbaud as an adolescent, and Marie Bos as an adult.
In the opening installment, our young heroine is portrayed as a wan, waif-like creature given to wandering around her family’s sprawling, mountaintop mansion located high above the seacoast. This evocative tableau is comprised of a primary colored collage of Ana roaming around her familial grounds encountering everything from the bed-ridden corpse of her recently-deceased grandfather to a dangling crucifix to water dripping to her parents copulating as caught by the tyke through a tiny keyhole.