Meanwhile, Mickey moved on with his life, falling in love with a local girl (Saki Takaoka), with whom he even had a child. But when he dies unexpectedly in a motorbike accident, Daniel suddenly must deal with another death of a loved one in the Orient.
The disconsolate dad arrives in Japan, angry and embittered, but starts to soften upon learning that his sole offspring left behind both a beautiful collection of artwork and the only grandson he’ll ever have. Daniel’s gradually softening and coming to grips with his grief rests at the heart of The Harimaya Bridge, a bittersweet, cross-cultural drama written and directed by Aaron Woolfolk.
The semi-autobiographical opus marks Woolfolk’s first foray into feature films, and draws heavily on his experiences as an African-American transplant from the Bay Area teaching English in the Kochi region of Japan. Besides the elder Holder’s mourning, the movie focuses on the challenges surrounding the outsider status accorded any “gaijin,” aka foreigner. Furthermore, there is the question of whether his half-black/half-Japanese grandchild ought to be raised in San Francisco, especially given the chance that the baby might be branded “burakumin” and thus banished to live in a community set aside for ethnically-mixed social outcasts.
Accolades are in order to Woolfolk for his admirable, engaging effort and for his historic venture being the first Japanese industry production piloted by an African-American. A poignant parable suggesting that true love knows no boundaries, perhaps not even death.
Very Good (3 stars)
In English and Japanese with both English and Japanese subtitles.
Running time: 120 Minutes
Distributor: Eleven Arts
To see a trailer for The Harimaya Bridge, visit: http://www.youtube.com/watch?v=jnhzy3643Uo